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For now, she’s reveling in all the kind words coming her way. There have been many calls from Kerala too, and once she is convinced about the character and director, she’ll sign up for them. Sheela is also part of Draupadi, a crowd-funded indie film directed by Mohan of Pazhaya Vannarapettai fame. Sometimes, you have to chase your dream.” Imagine if Chezian sir had wondered if he should cast me because I am married, I would not have been part of To Let. Seeing me, if someone is encouraged to enter the industry after marriage, I’ll be very happy. And, I believe there is a time for everything in life. “How can I think of not speaking about it? I’ve travelled so much in my life, why hide it? I’m proud of what marriage did for me. Sheela has also been very honest about her marital status. “We have many layers even within commercial films then, there are art films, documentaries…I would love to be part of films where characters are spoken about because of the story, not the stars.” Once the buzz around both films settles down, Sheela hopes to be able to tap into the vastness of Tamil cinema. Both have to be in sync for a good performance.” I believe actors have an udal mozhi (body language) and an ulla mozhi (soul language). It’s not always possible to put yourself in the position of the character to get into the zone.
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Each character has a story within and you have to showcase that, within the boundaries of the character. In cinema, you have to internalise the character. In theatre, even the person sitting in the last row must be able to see your expressions. “I think I have, over the years, learnt to express myself differently depending on whether I’m on film, dancing on stage or working in theatre.
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“I think I’ve entered the industry at the right time performers are being sought and it feels good to have roles to choose from,” says Sheela, who is known for her economy of expressions.
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This was followed by the Zee Tamizh serial Azhagiya Tamizh Magal, and Kumbalangi Nights. We were afraid how it would turn out but the romance amidst falling vessels came through very nicely.”Īlso Read: Men, Maleness, Masculinity And Family In Kumbalangi NightsĪfter moving to Tamil cinema’s capital, Sheela worked in short films for Naalaya Iyakkunar and was on the lookout for more, when To Let happened. Sir told us that only our shadows would be seen and that we had to plan to execute it. I love the scene where I grind the idli batter, and the one where there’s fleeting romance between the couple. She was roped in for the film, and told it was a festival project and that it might not release in theatres. Likewise, in real life, Santhosh (who plays her husband Ilango) is an assistant cinematographer and the film rang true for us in so many ways,” says Sheela, who, at one stage, even taught dance in schools.Īval Vikatan featured her and To Let producer Prema Chezhian happened to read it. I’d experienced all that Amutha was going through. “When Chezian sir narrated the character to me, I saw so many similarities in my life and Amudha’s. Her family did not agree to the wedding, and the couple went through trauma before finally shifting to Chennai.Īmudha goes through a similar trajectory in To Let, where she has to fend for her husband, child and herself, without any help. Somewhere in 2013 or 2014, I got the chance to star in a tele-film directed by Thambichozhan it never released, but I found my life-partner in Chozhan, an acting coach,” she smiles. How did Sheela, who grew up in a devout family in Saveriarpatti near Jayankondam land in Chennai, do stints in theatre across groups, including Koothu-p-Pattarai, engage herself in travelling theatre and workshops and land To Let, her ticket to television and films? “I think it all began in Trichy, where I studied Bharatanatyam in Kalai Kaviri College of Fine Arts.
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If she’s the soft Amutha, who learns to adjust in any situation but yearns for a comfortable house in To Let, she’s the graceful Sathi, the lady with a newborn who enters a house full of men and lends it a certain tenderness in Kumbalangi Nights. Today, two of her movies, the National Award-winning To Let in Tamil and the award-worthy Kumbalangi Nights in Malayalam are running to packed houses. Even then, she knew her love was the performing arts. She’d choose a character from The Bible and prepare diligently for the show. Nearly two decades ago, as a child, Sheela Rajkumar delighted in taking part in her local church’s fancy dress competitions for Christmas and Easter.